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The 2022 Macerata Opera Festival edition arrives in Australia

MACERATA – The penultimate Sunday of the festival features an important occasion for the international vision of macerata opera: L ‘radio broadcast And the Web SBS Headquartered in Sydney, it dedicated an in-depth study to the event entitled “Lo Sferisterio shines again under the stars”.

Indeed, journalist Domenico Gentile interviewed supervisor Luciano Messi and artistic director Paolo Pinamonti to tell millions of Italian-speaking listeners from the south of the continent for the first time about the Macerata Opera Festival. The conversation was punctuated by plays from the shows organized in recent weeks at Sferisterio.

Founded in Australia in 1978, SBS (Special Broadcasting Service) is a multilingual broadcaster whose function is linked to the multi-ethnic character of the Australian population: in fact, it provides customized services for training and entertainment based on news, culture, activities and artists not only from the Australian continent but also from the countries of origin of its residents . Programming in more than 60 different languages, including television and radio.

And tonight, Sunday 14 August, she returns to the stage at Sferisterio after her highly acclaimed debut on Friday. The Barber of Sevillea funny masterpiece by the most famous and famous composer from the Marche region, Gioachino Rossini (other replicas Friday 19 And the Sunday August 21).

Opera directed by Daniel Mengini, David Signorini collections, Nica Campisi costumes, Simone de Angelis lights, videos by Stefano Teodori; This is the winning project of the international competition dedicated to artists under the age of 35, created in 2020 by the Macerata Opera Festival in collaboration with the Europa Opera and the Rossini Opera Festival; The jury was headed by English director Graham Vick, who passed away a year ago, to whom this new production of Mof is dedicated. «I am satisfied – announces the coach Paolo Pinamonti —that the work of Graham Vick has established, along with that of other important contemporary directors, some clear protocols on the meaning and importance of managerial work in the field of opera.

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On the podium, one of the most followed young talents at the moment, Alessandro BonatoPrincipal conductor of the Marchigiana Philharmonic Form-Orchestra. The cast of this new The Barber of Seville Set in a format set for general television audiences, it is a contemporary novel factory and thus closes the circle around the music-video relationship underlying the 2022 programming – Written by Roselle Gatine (Count Almaviva), Roberto de Candia (Bartolo), Serena Malfi (Rosina) and Alessandro Longo (Figaro) ), Andrea Consetti (Basilio), Viametta Tovoni (Berta) and William Curie (Fiorello).

“Why the TV reference? – says the director Menghini – you are in the world, in everyday life, television garbage is in everyone’s imagination. More than a direct reference to some program, we have tried to intercept a widespread atmosphere familiar to almost everyone, to tune in to the kind of energy that encourages people Ordinary people have to play everything in order to become a star (or at least tempt us). It is then a matter of knowing how long the earned fame lasts: the real challenge is exactly this. We will be, we are in a ultra-modern studio. In it, three different television formats were filmed. : the form in which he is the protagonist figaro, titled F*cktotum, brings together couples of lovers who meet in a hairdressing salon; In Calomena, on the contrary, the conductor Basilio does everything in his power to “blow up” the husbands who united Figaro, in our case that of the little woman and the knight mentioned by the barber in the Cavatina; Finally, The Useless Warning is an 18th-century framed TV series with Rosina, Devta, positioned high in her own place. References to the eighteenth century want to establish a dialogue between innovation and tradition, returning directly to the sources of the subject, that is, to Beaumarchais and through it to his models, Molière and Scaron, and back to the Commedia dell’arte. I leave the nineteenth century entirely to music, which has an entirely new imprint.”

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The Macerata Opera Festival is organized by the Association Arena Sferisterio with the Municipality, the Province of Macerata, the Ministry of Culture, the Marche District, the Sferisterio civil society, the Marche Chamber of Commerce and a group of individuals including Banco Marchigiano (leading sponsor), APM, Giessegi, MedStore and Sardellini Costruzioni (main sponsor) And the hundreds of sponsors, individuals, companies and associations that support the festival through Art Bonus, considering those who founded the monumental building in 1829.

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