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Dolls are a wonderful world, an artistic family

It’s going to be an intense fall, which is the fall Green Theater is about to experience.
Autumn celebrated (albeit delayed due to the epidemic) i 40 years of historyin the historic Roman residence of Trastevere, from October 1, the opening day of the new season of Teatro Ragazzi, but also throughout Italy (in many cities and regions) and abroad.

The company is currently in United State where you will perform Until September 26 to me Chicago it’s MilwaukeeFrom From 13 to 20 October will be Saint Paul in Brazil And from From 1 to 15 November At the World Book Fair Sharjah (Sharjah International Book Fair Sharjah International Book Fair) In the The United Arab Emirates.
A long tour organized thanks to the precious cooperation with Italian cultural institutes and which will continue in 2023 in Mauritania.

as . points out Veronica Olmiartistic director of the green theater company and symmetrical roman space: “We will be touring with more than 40 puppets and 4 different shows first in the US, then in Brazil, and finally in the UAE. 8 live performances and 70 creative workshops for puppets and masks to meet and learn about the many curious and enthusiastic about puppetry, our history and method of theater the green. Travel to meet different cultures and traditions. Different landscapes, languages ​​and customs as well as different are the stories and perspectives. Theater unites people and makes them grow freely. The art of dolls is a wonderful world, our artistic family.”

The Green Theater in Rome is a space open 7 days a week, which offers morning For schools The Green Theater School Theatrical workshop which each year brings together 150 children and teenagers aged 4 to 19, on afternoons and weekends for the whole family with performances The National Children’s Theater Review “Behind the Scenes – Maria Signorelli Prize for Theater 2022-2023” which opened this year
Saturday October 1 at 5 pmwith offer “The Cat with the Boot” Written by Roberto Marvant and directed by Emanuela La Torre.

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